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The Oxford Handbook of Emily Dickinson (Oxford Handbooks) [
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Item specifics
- Condition
- Book Title
- The Oxford Handbook of Emily Dickinson (Oxford Handbooks) [
- ISBN
- 9780198833932
- Subject Area
- Literary Criticism
- Publication Name
- Oxford Handbook of Emily Dickinson
- Publisher
- Oxford University Press, Incorporated
- Item Length
- 9.9 in
- Subject
- American / General
- Publication Year
- 2022
- Series
- Oxford Handbooks Ser.
- Type
- Textbook
- Format
- Hardcover
- Language
- English
- Item Height
- 1.6 in
- Item Weight
- 45.7 Oz
- Item Width
- 7 in
- Number of Pages
- 640 Pages
About this product
Product Identifiers
Publisher
Oxford University Press, Incorporated
ISBN-10
0198833938
ISBN-13
9780198833932
eBay Product ID (ePID)
15057243000
Product Key Features
Number of Pages
640 Pages
Publication Name
Oxford Handbook of Emily Dickinson
Language
English
Publication Year
2022
Subject
American / General
Type
Textbook
Subject Area
Literary Criticism
Series
Oxford Handbooks Ser.
Format
Hardcover
Dimensions
Item Height
1.6 in
Item Weight
45.7 Oz
Item Length
9.9 in
Item Width
7 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2021-924306
Dewey Edition
23/eng/20221215
TitleLeading
The
Illustrated
Yes
Dewey Decimal
811/.4
Table Of Content
Introduction: A Poetry "Composed of Nows": Dickinson's Historical Context and Contemporary RelevancePart I. "Do they know that this is Amherst": Dickinson in Place1. Whose Native Place?: The Dickinsons and the Colonization of the Connecticut River Valley2. "Where congregations ne'er break up": Dickinsons and Amherst's First Church3. "The pedigree of Honey": Class, Colony, and Politics in Amherst's "Bee Hive" and Dickinson's Bee Poems4. "Seam by Seam": Dickinson's Literary Labors5. A Short Biography of the Homestead and The Evergreens6. "Except the smaller size": Aunt Emily's Poetry7. The Death of Little Gib8. "The Wanderers came last Night": Dickinson and the Material Culture of Indigenous Basket SellersPart II. "Essential Oils": Dickinson's Poetics and Compositional Practices9. "Dragons--in the Crease--": Dickinson's Dangerous Lyricism10. Dickinson's Spinster Poetics11. The Letter Not Sent: Dickinson's Fascicles and the Poet's Place in the World12. "My Business is to Love": Address and Affect in Dickinson's Circulated Poems13. Writing for Posterity: Editing, Evidence, and Sequence in Dickinson's Composition and Circulation of Poems14. The Material and Editorial Condition of Dickinson's "Master" Documents15. Butterfly Tropics: Dickinson, the Archive, and Ethereal Poetics16. Dickinson's Influence on Recent American PoetryPart III. "You'll find the Music": Dickinson's Media Contexts17. "Yellow Noise": Information and Form in Dickinson's Intermedial Writing18. "Say it Again! Saxon!": The Erotic Intimate Space of Reading19. Dickinson Uncut: Reading and Not Reading in Print Culture20. "On the wall of her own room hung framed portraits of Mrs. Browning, George Eliot and Carlyle": Dickinson's Heroes and Hero-Worship21. Dickinson's Black Contexts22. Learning to Write with Emily Dickinson: Poetry, Pedagogy, and Nineteenth-Century Girlhood23. Looking Back on the Reception History of Dickinson in Japan24. "Discretion in the interval": Musical Improvisation and Dickinson's Manuscript Variations25. Dickinson ComposedPart IV. "Such are the inlets of the mind--": Ways of Knowing and the World26. Linguistic Turns: Emersonian Figuralism and Dickinson's Biblical Contests27. Glory, Honor, Might, Majesty, Dominion, and Power: Reading Dickinson through Wilfred Owen28. "The Finite--furnished / With the Infinite--": Dickinson's Biblical Imaginations29. Imaginary Geography: Dickinson Latina30. Dickinson's Garden Ecologies31. "You felt your Second": Dickinson and Nineteenth-Century Timekeeping32. Dickinson Emergent: Natural Philosophy and the Postdisciplinary Manifold33. "How ruthless are the gentle": The Art of Emily Dickinson and Lesley DillPart V. Coda34. Living and Dying with Emily Dickinson
Synopsis
A Handbook devoted to the American poet Emily Dickinson (1830-86) that explores form and genre, reception of her work, and the ways that Dickinson's life and writing intersected with important historical events such as the Civil War, slavery, the women's rights movement, and the growth of capitalism., The Oxford Handbook of Emily Dickinson is designed to engage, inform, interest, and delight students and scholars of Emily Dickinson, of nineteenth-century US literature and cultural studies, of American poetry, and of the lyric. It also establishes potential agendas for future work in the field of Dickinson studies. This is the first collection on Dickinson to foreground the material and social culture of her time while opening new windows to interpretive possibility in ours. The volume strives to balance Dickinson's own center of gravity in the material culture and historical context of nineteenth-century Amherst with the significance of important critical conversations of our present, thus understanding her poetry with the broadest "Latitude of Home"--as she puts it in her poem "Forever-is composed of Nows." Debates about the lyric, about Dickinson's manuscripts and practices of composition, about the viability of translation across language, media, and culture, and about the politics of class, gender, place, and race circulate through this volume. These debates matter to our moment but also to our understanding of hers. Although rooted in the evolving history of Dickinson criticism, the chapters foreground truly new original research and a wide range of innovative critical methodologies, including artistic responses to her poetry by musicians, visual artists, and other poets. The suppleness and daring of Dickinson's thought and uses of language remain open to new possibilities and meanings, even while they are grounded in contexts from over 150 years ago, and this collection expresses and celebrates the breadth of her accomplishments and relevance., The Oxford Handbook of Emily Dickinson is designed to engage, inform, interest, and delight students and scholars of Emily Dickinson, of nineteenth-century US literature and cultural studies, of American poetry, and of the lyric. It also establishes potential agendas for future work in the field of Dickinson studies. This is the first collection on Dickinson to foreground the material and social culture of her time while opening new windows to interpretivepossibility in ours. The volume strives to balance Dickinson's own center of gravity in the material culture and historical context of nineteenth-century Amherst with the significance of important criticalconversations of our present, thus understanding her poetry with the broadest "Latitude of Home"--as she puts it in her poem "Forever-is composed of Nows." Debates about the lyric, about Dickinson's manuscripts and practices of composition, about the viability of translation across language, media, and culture, and about the politics of class, gender, place, and race circulate through this volume. These debates matter to our moment but also to our understanding of hers. Although rooted in theevolving history of Dickinson criticism, the chapters foreground truly new original research and a wide range of innovative critical methodologies, including artistic responses to her poetry bymusicians, visual artists, and other poets. The suppleness and daring of Dickinson's thought and uses of language remain open to new possibilities and meanings, even while they are grounded in contexts from over 150 years ago, and this collection expresses and celebrates the breadth of her accomplishments and relevance., The Oxford Handbook of Emily Dickinson is designed to engage, inform, interest, and delight students and scholars of Emily Dickinson, of nineteenth-century US literature and cultural studies, of American poetry, and of the lyric. It also establishes potential agendas for future work in the field of Dickinson studies. This is the first collection on Dickinson to foreground the material and social culture of her time while opening new windows to interpretive possibility in ours. The volume strives to balance Dickinson's own center of gravity in the material culture and historical context of nineteenth-century Amherst with the significance of important critical conversations of our present, thus understanding her poetry with the broadest "Latitude of Home" - as she puts it in her poem "Forever-is composed of Nows." Debates about the lyric, about Dickinson's manuscripts and practices of composition, about the viability of translation across language, media, and culture, and about the politics of class, gender, place, and race circulate through this volume. These debates matter to our moment but also to our understanding of hers. Although rooted in the evolving history of Dickinson criticism, the chapters foreground truly new original research and a wide range of innovative critical methodologies, including artistic responses to her poetry by musicians, visual artists, and other poets. The suppleness and daring of Dickinson's thought and uses of language remain open to new possibilities and meanings, even while they are grounded in contexts from over 150 years ago, and this collection expresses and celebrates the breadth of her accomplishments and relevance.
LC Classification Number
PS1541.Z5
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Seller feedback (396)
- 2***c (445)- Feedback left by buyer.Past 6 monthsVerified purchaseFast shipping, excellent quality, just like the description, very well packaged, excellent price, looks great, Recommended Seller AAA+++Sabina en carne viva: Yo tambien se jugarme la boca (Spanis (#146493796676)
- l***4 (2920)- Feedback left by buyer.Past 6 monthsVerified purchaseThis item was mailed promptly, arrived by the anticipated delivery date, and was exactly as described. Item was securely packaged and, as a result, was undamaged during shipment. Buyer appreciated the communication from the seller.Some Like It Cool: The Charmed Life of Jack Lemmon [Paperba (#145932988081)
- a***s (117)- Feedback left by buyer.Past monthVerified purchaseShipped promptly in a safe package, arrived as described. Wonderful seller, would love to work with again!