Ex Machina: Creating for the Stage by Caux, Patrick

US $37.96
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eBay item number:156625513650
Last updated on May 06, 2025 13:43:16 PDTView all revisionsView all revisions

Item specifics

Condition
Brand New: A new, unread, unused book in perfect condition with no missing or damaged pages. See the ...
EAN
9780889226173
UPC
9780889226173
ISBN
9780889226173
MPN
N/A
Book Title
Ex Machina : Creating for the Stage
Publisher
Talonbooks, The Limited
Item Length
10 in
Publication Year
2009
Format
Trade Paperback
Language
English
Illustrator
Yes
Item Height
0.4 in
Author
Patrick Caux, Bernard Gilbert
Genre
Performing Arts
Topic
Theater / General, General
Item Weight
13 Oz
Item Width
8 in
Number of Pages
84 Pages

About this product

Product Identifiers

Publisher
Talonbooks, The Limited
ISBN-10
0889226172
ISBN-13
9780889226173
eBay Product ID (ePID)
72959326

Product Key Features

Book Title
Ex Machina : Creating for the Stage
Number of Pages
84 Pages
Language
English
Publication Year
2009
Topic
Theater / General, General
Illustrator
Yes
Genre
Performing Arts
Author
Patrick Caux, Bernard Gilbert
Format
Trade Paperback

Dimensions

Item Height
0.4 in
Item Weight
13 Oz
Item Length
10 in
Item Width
8 in

Additional Product Features

Intended Audience
Trade
Dewey Edition
22
Dewey Decimal
792.06/0714
Synopsis
In 1993 when Robert Lepage suggested to his colleagues that a specific identity and image be found for his next working group, he imposed one condition. The word "theatre" was not to be part of the name of the new company. This gorgeous full-colour book documents the results of that landmark decision: the dynamic creative arts company Ex Machina , constantly on the move in search of new forms of storytelling--from Lepage's own Dragon's Trilogy , through Richard Wagner's Der Ring des Nibelungen for the Metropolitan Opera of New York, to Peter Gabriel's world tours, or Cirque du Soleil's Ka in Las Vegas . Its frenetic dynamism means the company must constantly move simultaneously between story draft and stagecraft as it invites audiences the world over to their theatrical experiments where technology is part of the human adventure. Onstage, hierarchies, methodologies and narrative codes are turned inside out to create a rich stage vocabulary, free of the conventional constraints of theatre. "The artists of Ex Machina believe that theatre craves new sources of inspiration," notes Michel Bernatchez, the company's producer. "What is needed is a commingling of the performing arts such as dance, opera and music with the recording arts such as cinema, video and multimedia. It calls for encounters between scientists and playwrights, between scenic artists and architects." Robert Lepage has said, "Theatre, like the world itself, evolves very rapidly, as do its practitioners and its audience. The influence of film and television and the new dramaturgical possibilities offered by multimedia have opened the way to new forms of expression and new languages of staging that have only barely been explored. It is thus not simply the content and form of theatre that we are questioning, but also the role theatre will play in the new exchange of ideas in the 21st century.", In 1993 when Robert Lepage suggested to his colleagues that a specific identity and image be found for his next working group, he imposed one condition. The word "theatre" was not to be part of the name of the new company. This gorgeous full-colour book documents the results of that landmark decision: the dynamic creative arts company Ex Machina , constantly on the move in search of new forms of storytelling--from Lepage's own Dragon's Trilogy , through Richard Wagner's Der Ring des Nibelungen for the Metropolitan Opera of New York, to Peter Gabriel's world tours, or Cirque du Soleil's Kà in Las Vegas . Its frenetic dynamism means the company must constantly move simultaneously between story draft and stagecraft as it invites audiences the world over to their theatrical experiments where technology is part of the human adventure. Onstage, hierarchies, methodologies and narrative codes are turned inside out to create a rich stage vocabulary, free of the conventional constraints of theatre. "The artists of Ex Machina believe that theatre craves new sources of inspiration," notes Michel Bernatchez, the company's producer. "What is needed is a commingling of the performing arts such as dance, opera and music with the recording arts such as cinema, video and multimedia. It calls for encounters between scientists and playwrights, between scenic artists and architects." Robert Lepage has said, "Theatre, like the world itself, evolves very rapidly, as do its practitioners and its audience. The influence of film and television and the new dramaturgical possibilities offered by multimedia have opened the way to new forms of expression and new languages of staging that have only barely been explored. It is thus not simply the content and form of theatre that we are questioning, but also the role theatre will play in the new exchange of ideas in the 21st century.", This gorgeous full-colour book documents the dynamic creative arts company Ex Machina, including Robert Lepage's Dragon's Trilogy .
LC Classification Number
PN2306.Q4C3813 2009

Item description from the seller

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    The item was spot-on, even better than the photos, and arrived in perfect condition. The packaging was highly professional, which is why the item came in superb, pristine condition. The seller was excellent with their communication, and I could not have been happier. I WILL buy from them again!
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    Great Seller! Excellent communication! Paperback was well-packed. Shipment via USPS went flawlessly.
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