Studiolo (Italian List The) by Giorgio Agamben

US $21.05
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eBay item number:156626466475
Last updated on Apr 27, 2025 15:13:01 PDTView all revisionsView all revisions

Item specifics

Condition
Brand New: A new, unread, unused book in perfect condition with no missing or damaged pages. See the ...
EAN
9781803093680
UPC
9781803093680
ISBN
9781803093680
MPN
N/A
Book Title
Studiolo
Book Series
The Italian List Ser.
Publisher
Seagull Books
Item Length
7.8 in
Publication Year
2024
Format
Trade Paperback
Language
English
Illustrator
Yes
Item Height
0.4 in
Author
Giorgio Agamben
Genre
Art, Philosophy
Topic
Criticism & Theory, General, Aesthetics, European
Item Weight
7.5 Oz
Item Width
5.4 in
Number of Pages
130 Pages

About this product

Product Identifiers

Publisher
Seagull Books
ISBN-10
1803093684
ISBN-13
9781803093680
eBay Product ID (ePID)
11062934602

Product Key Features

Book Title
Studiolo
Number of Pages
130 Pages
Language
English
Topic
Criticism & Theory, General, Aesthetics, European
Publication Year
2024
Illustrator
Yes
Genre
Art, Philosophy
Author
Giorgio Agamben
Book Series
The Italian List Ser.
Format
Trade Paperback

Dimensions

Item Height
0.4 in
Item Weight
7.5 Oz
Item Length
7.8 in
Item Width
5.4 in

Additional Product Features

Intended Audience
Trade
Dewey Edition
23
Reviews
Agamden writes scholarly books mostly, but this one caught our eye for other reasons. The title comes from a Latin and Italian word that means studious and study -- in other words, to devote time and attention to acquiring knowledge. . . . This is a philosopher's book, and an opportunity for the reader/viewer to think/see alongside him.
Dewey Decimal
701
Table Of Content
A Note on the Text 1.The Old Man and the Nude 2.The Folds of the World 3.The Dormition of Art 4.The White Place of Painting 5.What Is Inspiration? 6.The Blanket and the Sea 7.The Well and the Void 8.The Icon and Death 9.A Winter in God 10.No More Secrets 11.The Absent Cross 12.The Art of Thresholds 13.Beauty That Falls 14.The Gaze of Ancient Man 15.The Body of Light 16.The Everyday and Mystery 17.The Clogs in God 18.Prehistory Here and Now 19.Making the Visible Visible 20.Anatomy of the Angel 21.Vision and Horror Works Cited
Synopsis
Studiolo is a fascinating take on a selection of artworks created over millennia. Agamben contends that we must understand that the images bequeathed by the past are really addressed to us, here and now; otherwise, our historical awareness is broken. Notwithstanding the attention to detail and the critical precautions that characterize the author's method, they provoke us with a force, even a violence, that we cannot escape. When we understand why Dostoevsky feared losing his faith before Holbein's Dead Christ, when Chardin's Hare is suddenly revealed to our gaze as a crucifixion or Twombly's sculpture shows that beauty must ultimately fall, the artwork is torn from its museological context and restored to its almost prehistoric emergence. These artworks are beautifully reproduced in color throughout Agamben's short but significant addition to his scholarly oeuvre in English translation., A brief study of select Western art from Italy's foremost philosopher. In Renaissance palaces, the studiolo was a small room to which the prince withdrew to meditate or read, surrounded by paintings he particularly loved. This book is a kind of studiolo for its author, Giorgio Agamben, as he turns his philosophical lens on the world of Western art. Studiolo is a fascinating take on a selection of artworks created over millennia; some are easily identifiable, others rarer. Though they were produced over an arc of time stretching from 5000 BCE to the present, only now have they achieved their true legibility. Agamben contends that we must understand that the images bequeathed by the past are really addressed to us, here and now; otherwise, our historical awareness is broken. Notwithstanding the attention to detail and the critical precautions that characterize the author's method--they provoke us with a force, even a violence, that we cannot escape. When we understand why Dostoevsky feared losing his faith before Holbein's Body of the Dead Christ , when Chardin's Still Life with Hare is suddenly revealed to our gaze as a crucifixion or Twombly's sculpture shows that beauty must ultimately fall, the artwork is torn from its museological context and restored to its almost prehistoric emergence. These artworks are beautifully reproduced in color throughout Agamben's short but significant addition to his scholarly oeuvre in English translation.
LC Classification Number
N68.3.A4 2024

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