European Musical Heritage, Fuller, Sarah,Fuller,Sarah, 9780072324525

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Item specifics

Condition
Good: A book that has been read but is in good condition. Very minimal damage to the cover including ...
ISBN
9780072324525
Book Title
European Musical Heritage : 800-1750
Publisher
McGraw-Hill Higher Education
Item Length
10 in
Edition
2
Publication Year
2004
Format
Spiral
Language
English
Illustrator
Yes
Item Height
0.9 in
Author
Sarah Fuller
Features
Revised
Genre
Music
Topic
History & Criticism
Item Weight
43.8 Oz
Item Width
8 in
Number of Pages
608 Pages

About this product

Product Identifiers

Publisher
McGraw-Hill Higher Education
ISBN-10
007232452X
ISBN-13
9780072324525
eBay Product ID (ePID)
28038297981

Product Key Features

Edition
2
Book Title
European Musical Heritage : 800-1750
Number of Pages
608 Pages
Language
English
Topic
History & Criticism
Publication Year
2004
Illustrator
Yes
Features
Revised
Genre
Music
Author
Sarah Fuller
Format
Spiral

Dimensions

Item Height
0.9 in
Item Weight
43.8 Oz
Item Length
10 in
Item Width
8 in

Additional Product Features

Intended Audience
Trade
LCCN
2004-115452
TitleLeading
The
Edition Description
Revised edition
Table Of Content
PREFACE A Note on Square Notation 8th-11th Century: Sacred Monophony 1. Easter Mass Proper and Ordinary 1a. Resurrexi (Introit) 1b. Quem querities in sepulchro (Introit trope 1) Ecce pater cunctis (Introit trope 2) 1c. Kyrie Cunctipotens genitor (melismatic and Latin versions) 1d. Gloria 1e. Haec dies (Gradual) 1f. Alleluia Pascha nostrum 1g. Fulgens praeclara (prose) 1h. Credo 1i. Terra tremuit (Offertory) 1j. Sanctus 1k. Agnus Dei 1l. Pascha nostrum (Communion) 1m. Ite, missa est 2. First Vespers on the Feast of the Nativity of the Lord (excerpts) 2a. Deus in adjutorium (opening versicle) 2b. Rex pacificus (antiphon and Psalm 112) 2c. Magnificatus est (antiphon and Psalm 124) 2d. Veni redemptor gentium (hymn) 2e. Benedicamus Domino (closing versicle) 3. Modal Formulas 3a. 9th-Century Series (from Commemoratio brevis de tonis et psalmis modulandis) 3b. 12th-Century Series (from De Musica by John of Afflighem) 8th-11th Century: Polyphony Theorists' Examples 4a. Rex caeli Domine (organum at the fourth, from Musica Enchiriadis) Rex caeli Domine (sacred song, principal melody of No. 4a) 4b. Sit Gloria Domini (organum at the fifth with octave doubling, from Musica Enchiriadis 4c. Guido of Arezzo, Ipsi soli (organum, from Micrologus) Ipsi soli (antiphon, principal melody of No. 4c) 4d. Kyrie Cunctipotens genitor (from Ad organum faciendum) 4e. Alleluia in 5th performance mode (from Ad organum faciendum) Alleluia Justus ut palma (prinicipal melody of No. 4e) 5. Wulfstan of Winchester (?), Alleluia Te martyrum 6. Castitatis lilium effloruit (versus) 12th-13th Century: Sacred Monophony Liturgical chant 7a. Ave regina caelorum (votive antiphon) 7b. Veni sancte spiritus (prose) 7c. Pange lingua gloriosi corporis (hymn) 7d. Aeterna Christi munera (hymn) 12th-13th Century: Secular Monophony Troubadour and Trouvere Songs 8a. Bernart de Ventadorn, Can vei la lauzeta mover 8b. Peire Vidal, Baros de mon dan covit 8c. Gaucelm Faidit, Fortz chausa es (1199) 8d. Chevalier mult estes guariz (Crusaders' song, 1147) 8e. Gace Brule, Biaus m'est estez 8f. Guillaume d'Amiens, Prendes I garde (rondeau) 12th-13th Century: Polyphony 9a. Viderunt Emmanuel (Aquitanian versus) 9b. Kyrie Cunctipotens genitor (from Codex Calixtinus) 10a. Leonin, Alleluia Pascha nostrum (organum duplum) 10b. Alleluia Pascha nostrum (organum duplum, later revision of verse) 11. Perotin (?), Alleluia Pascha nostrum (organum triplum) 12. Conductus 12a. Deus in adjutorium (conductus sine cauda) 12b. O tocius Asie (conductus cum cauda) 13th-Century Motets (to c. 1250) 13a. Discant clausula on Regnat (from Alleluia Hodie Maria virgo) 13b. Ad solitum vomitum/Regnat (two-voice motet) 13c. Ad solitum vomitum/Regnat (three-voice conductus motet) 13d. Depositum creditum/Ad solitum vomitum/Regnat (Latin double motet) 13e. Alleluia Hodie maria virgo (source chant for Regnat clausula) 13f. L'autre jour/Au tens pascour/In seculum (French double motet) 14. "A certain Spaniard," In seculum breve (instrumental hocket) 13th-Century Motets (after c. 1250) 15a. El mois de mai/De se debent bigamy/Kyrie (French double motet) 15b. On parole de batre/A Paris/Frese nouvele (French double motet on secular tenor) 15c. Alle psallite cum luya/Alle psallite cum luya/Alleluya (Latin voice-exchange motet) 15d. Petrus de Cruce, Aucun ont trouve/Lond tans/Annuntiantes (French double motet) 14th Century: Ars Nova 16. Philippe de Vitry, Tribum que/Quoniam secta/Merito hec patimur (isorhythmic motet) 17. Guillaume de Machaut, Bone pastor Guillerme/Bone pastor qui pastores/Bone pastor (isorhythmic motet) 18. Guillaume de Machaut, secular so
Synopsis
Features an anthology that offers a selection of musical scores for various major genres of Medieval, Renaissance, and Baroque music. This work contains selections that are grouped by type within each period to facilitate comparison and further study. It also provides extra resources such as translations, notes on sources, and more., This well-regarded anthology offers a comprehensive selection of musical scores for of all the major genres of Medieval, Renaissance, and Baroque music. Arranged chronologically, selections are grouped by type within each period to facilitate comparison and further study. The text also includes extra resources such as translations, notes on sources, pertinent maps, and informative commentaries.

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