Sylvia Plath : New Views on the Poetry, Paperback by Lane, Gary, Like New Use...

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Item specifics

Condition
Like New: A book that looks new but has been read. Cover has no visible wear, and the dust jacket ...
Book Title
Sylvia Plath : New Views on the Poetry
ISBN
9781421435305
Subject Area
Literary Criticism, Biography & Autobiography
Publication Name
Sylvia Plath : New Views on the Poetry
Publisher
Johns Hopkins University Press
Item Length
9 in
Subject
Poetry, Literary, American / General
Publication Year
2019
Type
Textbook
Format
Trade Paperback
Language
English
Item Height
0.7 in
Author
Gary Lane
Item Weight
14.1 Oz
Item Width
5.9 in
Number of Pages
282 Pages

About this product

Product Identifiers

Publisher
Johns Hopkins University Press
ISBN-10
1421435306
ISBN-13
9781421435305
eBay Product ID (ePID)
24038863252

Product Key Features

Number of Pages
282 Pages
Publication Name
Sylvia Plath : New Views on the Poetry
Language
English
Subject
Poetry, Literary, American / General
Publication Year
2019
Type
Textbook
Author
Gary Lane
Subject Area
Literary Criticism, Biography & Autobiography
Format
Trade Paperback

Dimensions

Item Height
0.7 in
Item Weight
14.1 Oz
Item Length
9 in
Item Width
5.9 in

Additional Product Features

Intended Audience
Scholarly & Professional
Dewey Edition
19
Grade From
College Graduate Student
Dewey Decimal
811/.54
Table Of Content
Introduction Chapter 1. Achievement and value Chapter 2. Process and influence Chapter 3. Personal and public contexts Sylvia Plath: a selected bibliography of primary and secondary materials Contributors Index of Sylvia Plath's works General Index
Synopsis
Sylvia Plath is one of the most controversial poets of our time. For some readers, she is the symbol of women oppressed. For others, she is the triumphant victim of her own intensity'the poet pursuing sensation to the ultimate uncertainty, death. For still others, she is a doomed innocent whose sensibilities were too acute for the coarseness of ......, Sylvia Plath is one of the most controversial poets of our time. For some readers, she is the symbol of women oppressed. For others, she is the triumphant victim of her own intensity'the poet pursuing sensation to the ultimate uncertainty, death. For still others, she is a doomed innocent whose sensibilities were too acute for the coarseness of our world. The new essays of this edited collection (with a single exception, all were written for this book) broaden the perspective of Plath criticism by going beyond the images of Plath as a cult figure to discuss Plath the poet. The contributors'among them Calvin Bedient, Hugh Kenner, J. D. O'Hara, and Marjorie Perloff'draw on material that most previous commentators lacked: a substantial body of Plath's poetry and prose, a moderately detailed biographical record, and an important selection of the poet's correspondence. The result is an important and provocative volume, one in which major critics offer an abundance of insights into the poet's mind and creative process. It offers insightful and original readings of many poems'some, like ""Berck-Plage,"" scarcely mentioned in previous criticism'and fosters new understandings of such matters as Plath's comedy, the development of her poetic voice, and her relation to poetic traditions. The serious reader, whatever his or her initial opinion of Sylvia Plath, is sure to find that opinion challenged, changed, or deepened. These essays offer insights into a violently interesting poet, one who despite, or perhaps because of, her suicide at age thirty continues to fascinate and trouble us., Originally published in 1979. Sylvia Plath is one of the most controversial poets of our time. For some readers, she is the symbol of women oppressed. For others, she is the triumphant victim of her own intensity--the poet pursuing sensation to the ultimate uncertainty, death. For still others, she is a doomed innocent whose sensibilities were too acute for the coarseness of our world. The new essays of this edited collection (with a single exception, all were written for this book) broaden the perspective of Plath criticism by going beyond the images of Plath as a cult figure to discuss Plath the poet. The contributors--among them Calvin Bedient, Hugh Kenner, J. D. O'Hara, and Marjorie Perloff--draw on material that most previous commentators lacked: a substantial body of Plath's poetry and prose, a moderately detailed biographical record, and an important selection of the poet's correspondence. The result is an important and provocative volume, one in which major critics offer an abundance of insights into the poet's mind and creative process. It offers insightful and original readings of many poems--some, like "Berck-Plage," scarcely mentioned in previous criticism--and fosters new understandings of such matters as Plath's comedy, the development of her poetic voice, and her relation to poetic traditions. The serious reader, whatever his or her initial opinion of Sylvia Plath, is sure to find that opinion challenged, changed, or deepened. These essays offer insights into a violently interesting poet, one who despite, or perhaps because of, her suicide at age thirty continues to fascinate and trouble us.

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