Reviews"A remarkable first person narrative. . . . Though he did not consider himself a writer, Lambert's prose captures what he sees with something of the same artistic fluidity and presence found in his paintings."- Anchorage Daily News, For those unfamiliar with Lambert's artwork, [this book] will serve as an introduction to his art, in the course of providing a readable, insightful, highly personal look at the character of an important region of Alaska at a time when the life he depicts was rapidly changing and about to disappear., "For those unfamiliar with Lambert's artwork, [this book] will serve as an introduction to his art, in the course of providing a readable, insightful, highly personal look at the character of an important region of Alaska at a time when the life he depicts was rapidly changing and about to disappear." -- Kesler Woodward, Professor of Art, Emeritus at the University of Alaska Fairbanks "A remarkable first person narrative. . . . Though he did not consider himself a writer, Lambert's prose captures what he sees with something of the same artistic fluidity and presence found in his paintings." -- Anchorage Daily News, A remarkable first person narrative. . . . Though he did not consider himself a writer, Lambert's prose captures what he sees with something of the same artistic fluidity and presence found in his paintings., "For those unfamiliar with Lambert's artwork, [this book] will serve as an introduction to his art, in the course of providing a readable, insightful, highly personal look at the character of an important region of Alaska at a time when the life he depicts was rapidly changing and about to disappear."-Kesler Woodward, author of A Northern Adventure: The Art of Fred Machetanz
Dewey Edition23
Dewey Decimal759.13
Table Of ContentPreface Introduction Welcome to Cordova Hiking the Iron Trail Recuperation The Mine Low Man on the Totem Pole Bud Is Back The Country The Roadhouse Forest Fire Mining Something Else Prohibition and No Inhibition Finishing the Season Off-Season Dog-teaming--Origin of a Mistake Adopt-a-Team The Dogs Teach Us to Mush Beefing Up the Kennel The Education Continues New Equipment Early Winter Kennecott Learning Alaska History Outfitting The Trail Taming Live Glaciers Near Death on Skolai Pass Strategic Withdrawal Return to Skolai Boyden's Saga Over the Pass Epilogue
SynopsisTed Lambert is regarded as one of the premier Alaska artists, a true pioneer. Born in 1905, and raised in the Chicago area, Lambert moved to Alaska in 1925 and went to work as a miner near McCarthy. He held several jobs, predominantly working at a copper mine and mushing dogs--first for adventure, and then as a mail carrier.Lambert left Alaska in 1931 to study art for a year at the American Academy of Art in Chicago, then moved to Seattle, where he began a mentorship under Eustace Ziegler, with whom he traveled throughout Alaska and painted. Eventually Lambert settled down in Fairbanks, where he stayed for twenty years and solidified his reputation as a painter and an artist.But in 1960 he disappeared from the remote cabin he was living in at Bristol Bay. No trace of his body was ever found, but among the effects rescued from his last home was a memoir of his early days in Alaska. Presented here and never before published, these memoirs reveal Lambert to be a keen and intelligent observer and relay the adventure story of a young man who would become one of Alaska's most important artists., Ted Lambert is regarded as one of the premier Alaska artists, a true pioneer. Born in 1905, and raised in the Chicago area, Lambert moved to Alaska in 1925 and went to work as a miner near McCarthy. He held several jobs, predominantly working at a copper mine and mushing dogs first for adventure, and then as a mail carrier.Lambert left Alaska in 1931 to study art for a year at the American Academy of Art in Chicago, then moved to Seattle, where he began a mentorship under Eustace Ziegler, with whom he traveled throughout Alaska and painted. Eventually Lambert settled down in Fairbanks, where he stayed for twenty years and solidified his reputation as a painter and an artist.But in 1960 he disappeared from the remote cabin he was living in at Bristol Bay. No trace of his body was ever found, but among the effects rescued from his last home was a memoir of his early days in Alaska. Presented here and never before published, these memoirs reveal Lambert to be a keen and intelligent observer and relay the adventure story of a young man who would become one of Alaska s most important artists.", Ted Lambert is regarded as one of the premier Alaska artists, a true pioneer. Born in 1905, and raised in the Chicago area, Lambert moved to Alaska in 1925 and went to work as a miner near McCarthy. He held several jobs, predominantly working at a copper mine and mushing dogs--first for adventure, and then as a mail carrier. Lambert left Alaska in 1931 to study art for a year at the American Academy of Art in Chicago, then moved to Seattle, where he began a mentorship under Eustace Ziegler, with whom he traveled throughout Alaska and painted. Eventually Lambert settled down in Fairbanks, where he stayed for twenty years and solidified his reputation as a painter and an artist. But in 1960 he disappeared from the remote cabin he was living in at Bristol Bay. No trace of his body was ever found, but among the effects rescued from his last home was a memoir of his early days in Alaska. Presented here and never before published, these memoirs reveal Lambert to be a keen and intelligent observer and relay the adventure story of a young man who would become one of Alaska's most important artists.
LC Classification NumberND237