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Nailbomb - Point Blank [New Vinyl LP] Holland - Import - Picture 1 of 1

Point Blank by Nailbomb (Record, 2016)

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Artist: Nailbomb. Limited 180gm audiophile vinyl LP pressing including insert. Nailbomb was a side project by Sepultura's Max Cavalera and producer/engineer Alex Newport in the mid-1990s. Nearly the entire Sepultura lineup is present on the guest list - both Andreas Kisser and Igor Cavalera are credited.

About this product

Product Identifiers

Record LabelIMT, Music On Vinyl

UPC8719262000704

eBay Product ID (ePID)12046048332

Product Key Features

FormatRecord

Release Year2016

GenreHeavy Metal

ArtistNailbomb

Release TitlePoint Blank

Dimensions

Item Height0.16 in

Item Weight0.52 lb

Item Length12.47 in

Item Width12.24 in

Additional Product Features

Number of Tracks13

Country/Region of ManufactureNetherlands

Tracks1.1 Wasting Away 1.2 Vai Toma No CÚ 1.3 24 Hour Bullshit 1.4 Guerrillas 1.5 Blind and Lost 1.6 Sum of Your Achievements 1.7 Cockroaches 1.8 For F*#k's Sake 1.9 World of SH*T 1.10 Exploitation 1.11 Religious Cancer 1.12 Shit Piñata 1.13 Sick Life

Number of Discs1

Sub-GenreHeavy Metal

NotesLimited 180gm audiophile vinyl LP pressing including insert. Nailbomb was a side project by Sepultura's Max Cavalera and producer/engineer Alex Newport in the mid-1990s. Point Blank is their only studio album, originally released in 1994 by Roadrunner Records. The album combines the thrash-metal fury of Sepultura with the robotic industrial clangor of Fudge Tunnel - a big hit on the festival scene at the time. Nearly the entire Sepultura lineup is present on the guest list - both Andreas Kisser and Igor Cavalera are credited. Also Dino Cazares of Fear Factory and Ritchie Bujnowski from Wicked Death are featured on the album. The first track, 'Wasting Away', appears in the 1995 film To Die For. 'Exploitation' is a cover originally recorded by the English crust punk band Doom. Relentless grinding riffs, and an industrial-strength percussive roar, the lyrics are uniformly nihilistic and the album is riddled with left-field samples that add a disorienting, dehumanizing texture. This is an ass-kicking album, that is full-on malevolent from the get-go. Point Blank is abrasive, in your face and loud as hell with the lid off.