Italy, Cyprus, and Artistic Exchange in the Medieval Mediterranean by Anthi Andronikou (2022, Hardcover)
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Italy, Cyprus, and Artistic Exchange in the Medieval Mediterranean, Hardcover by Andronikou, Anthi, ISBN 1316510921, ISBN-13 9781316510926, Brand New, Free shipping in the US
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About this product
Product Identifiers
PublisherCambridge University Press
ISBN-101316510921
ISBN-139781316510926
eBay Product ID (ePID)18057257813
Product Key Features
Number of Pages350 Pages
LanguageEnglish
Publication NameItaly, Cyprus, and Artistic Exchange in the Medieval Mediterranean
SubjectGeneral
Publication Year2022
TypeTextbook
Subject AreaArt
AuthorAnthi Andronikou
FormatHardcover
Dimensions
Item Height0.9 in
Item Length10.2 in
Item Width7.3 in
Additional Product Features
Intended AudienceCollege Audience
LCCN2021-049224
Dewey Edition23
IllustratedYes
Dewey Decimal709.450902
Table Of Content1. A prosopography of encounters; 2. Southern Italy, Cyprus and the Holy Land: a tale of parallel aesthetics?; 3. Deconstructing myths: transmutations of Madonna and Panagia between Italy and Cyprus; 4. Thomas Aquinas, the Dominicans and artistic patronage in trecento Cyprus; 5. The peregrinations of a Cypriot king in Italian material culture, 1362-1368; 6. Art in the interstices: hybrid Italian panels and Cypriot nobility.
SynopsisIn this volume Anthi Andronikou explores the social, cultural, religious and trade encounters between Italy and Cyprus during the late Middle Ages, from ca. 1200 -1400, and situates them within several Mediterranean contexts. Revealing the complex artistic exchange between the two regions for the first time, she probes the rich but neglected cultural interaction through comparison of the intriguing thirteenth-century wall paintings in rock-cut churches of Apulia and Basilicata, the puzzling panels of the Madonna della Madia and the Madonna di Andria, and painted chapels in Cyprus, Lebanon, and Syria. Andronikou also investigates fourteenth-century cross-currents that have not been adequately studied, notably the cult of Saint Aquinas in Cyprus, Crusader propaganda in Santa Maria Novella in Florence, and a unique series of icons crafted by Venetian painters working in Cyprus. Offering new insights into Italian and Byzantine visual cultures, her book contributes to a broader understanding of cultural production and worldviews of the medieval Mediterranean., This monograph probes the complex artistic contacts between Italy and Cyprus, c.1200-1400. The book, which falls within the wider discourse on Italian and Byzantine visual cultures, historicizes these contacts and contributes to a broader understanding of cultural production, transmission and convergence in the medieval Mediterranean.