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About this product
Product Identifiers
PublisherPrinceton University Press
ISBN-100691090327
ISBN-139780691090320
eBay Product ID (ePID)2400822
Product Key Features
Number of Pages296 Pages
Publication NameRobert Lehman Collection at the Metropolitan Museum of Art, Volume Xiv Vol. Xiv : European Textiles
LanguageEnglish
SubjectTextile & Costume, Collections, Catalogs, Exhibitions / Permanent Collections, History / General
Publication Year2001
TypeTextbook
Subject AreaDesign, Art
AuthorChrista C. Mayer Thurman
FormatHardcover
Dimensions
Item Height1.1 in
Item Weight57.1 Oz
Item Length11.5 in
Item Width8.9 in
Additional Product Features
Intended AudienceCollege Audience
Dewey Edition21
TitleLeadingThe
IllustratedYes
Dewey Decimal708.1/471
Table Of ContentPREFACE AND ACKNOWLEDGMENTS BY EGBERT HAVERKAMP-BEGEMANN vii NOTE TO THE READER x TEXTILES: NEW YORK COLLECTING IN THE EARLY TWENTIETH CENTURY BY CHRISTA C. MAYER THURMAN xi CATALOGUE Tapestries 1 Ecclesiastical Textiles 35 Secular Textiles 173 Additional Textiles 249 GLOSSARY 261 CONCORDANCE 267 BIBLIOGRAPHY 271 INDEX 281
SynopsisThis volume, the tenth to be published in a projected series of sixteen, catalogues the European textiles and objects made of fabric in the Robert Lehman Collection at The Metropolitan Museum of Art. Robert Lehman and his father, Philip Lehman, purchased textiles with the same well-trained eyes they used to acquire paintings, drawings, and decorative arts in general. Among the most distinguished and widely admired objects in the Collection are two series of embroidered roundels from fifteenth-century Flanders and four large tapestries, including the Last Supper after Bernaert van Orley that is arguably the finest Renaissance tapestry in an American collection. The Collection also includes a great number of ecclesiastical vestments and panels of magnificent silks and velvets in a vast array of techniques and styles that span more than six centuries. Many of these textiles were used to decorate the Lehman town house in Manhattan, as hangings, covers, or upholstery. They represent sixty-five years of assembling, owning, and living with historical fabrics on a day-to-day basis, and for scholars and laymen alike they document an American style of living and interior decoration that has largely disappeared.