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About this product
Product Identifiers
PublisherUniversity of Missouri Press
ISBN-100826210252
ISBN-139780826210258
eBay Product ID (ePID)577041
Product Key Features
Number of Pages184 Pages
LanguageEnglish
Publication NamePersona and Humor in Mark Twain's Early Writings
SubjectAuthorship, General, American / General, Rhetoric, Humor, Subjects & Themes / General
Publication Year1995
TypeTextbook
AuthorDon Florence
Subject AreaLiterary Criticism, Language Arts & Disciplines
FormatHardcover
Dimensions
Item Height0.7 in
Item Weight17.6 Oz
Item Length9 in
Item Width6 in
Additional Product Features
Intended AudienceCollege Audience
LCCN95-021080
Reviews"Better than anybody else Florence identifies and articulates the dynamic, willful, spontaneous, and protean qualities of Twain's humor. . . . Brilliantly and eloquently this book drives to the heart of Twain's genius. Though directly concerned with his writing only until 1872, it helps us to understand and grasp appreciatively the Twain phenomenon at any point or text in his career."--Louis J. Budd
Dewey Edition20
Grade FromCollege Freshman
IllustratedYes
Dewey Decimal818/.409
SynopsisIn Persona and Humor in Mark Twain's Early Writings, Don Florence explains that Samuel Clemens did more than use the borrowed name of Mark Twain to sign his writings. He also developed a separate identity, or persona, becoming "a literary personality in his own right." Challenging mainstream Twain criticism on many fronts, Florence focuses exclusively on Twain's early writings. He demonstrates how Twain evolved in his early narratives into the "Mark Twain" we now recognize. Florence maintains that this process was evolutionary: Although Twain might have been dependent on Clemens for the initial experiences, they become Twain's experiences, necessary for his development as a persona. Traditionally, critics of Twain have been preoccupied with dualities, but Florence sees this emphasis upon polarities as an oversimplification. He argues that much of Twain's humor strives to shape more and more of the world, giving Twain multiple narrative voices and letting him be inclusive, not exclusive. Finally, this study asserts that there is more continuity to Mark Twain's career than has been generally recognized. Many Twain scholars have argued that Twain's later writings are radically different from his earlier writings because of their emphasis upon illusion and dream. Florence argues that the preoccupation with illusion and fantasy is scarcely new. Whether Twain's mood is exuberant or dark, he emphasizes subjectivity over objectivity, the dominance of fantasy, the creative powers of humor, and his ability as persona to determine what we consider "reality." Florence contends that Twain's early writings show Mark Twain gradually evolving into a masterfully comic persona. Jargon-free and eloquently written, Persona and Humor in Mark Twain's Early Writings provides a fascinating look at Mark Twain's developing genius and will be a welcome addition to Twain literature.