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Art from the Trenches : America's Uniformed Artists in World War I by Alfred Emile Cornebise (1991, Hardcover)
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- Buy It NowArt From The Trenches World War I Alfred E. Cornebise HCDJ 1991
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About this product
Product Identifiers
PublisherTexas A&M University Press
ISBN-100890963495
ISBN-139780890963494
eBay Product ID (ePID)805217
Product Key Features
Book TitleArt from the Trenches : America's Uniformed Artists in World War I
Number of Pages158 Pages
LanguageEnglish
Publication Year1991
TopicHistory / Contemporary (1945-), Military / General, Military / World War I, American / General
IllustratorYes
GenreArt, History
AuthorAlfred Emile Cornebise
Book SeriesWilliams-Ford Texas A&M University Military History Ser.
FormatHardcover
Dimensions
Item Height0.8 in
Item Weight37.6 Oz
Item Length10.4 in
Item Width10.5 in
Additional Product Features
LCCN90-023921
Dewey Edition20
Series Volume Number20
Dewey Decimal758/.99404/0973
SynopsisSince ancient times, wars have inspired artists and their patrons to commemorate victories. When the United States finally entered World War I, American artists and illustrators were commissioned to paint and draw it. These artists' commissions, however, were as captains for their patron: the U.S. Army. The eight men--William J. Aylward, Walter J. Duncan, Harvey T. Dunn, George M. Harding, Wallace Morgan, Ernest C. Peixotto, J. Andre Smith, and Harry E. Townsent--arrived in France early in 1918 with the American Expeditionary forces (AEF). Alfred Emile Cornebise presents here the first comprehensive account of the U.S. Army art program in World War I. The AEF artists saw their role as one of preserving images of the entire aspect of American involvement in a way that photography could not. Unsure of what to do with these official artists, AEF leadership in France issues passes that allowed them relative freedom to move about, sketching as they went and finding supplies and lodgings where they could. But the bureaucratic confusion over the artists' mission soon created controversy in Washington. The army brass there was dismayed at the slow trickle of art coming in and at some of the bucolic, behind-the-lines scenes, which held little promise as dramatic magazine illustrations or propaganda. The Armistice came only a matter of months after the American Artists arrived in France, and they marched into the Rhineland with the American occupation forces, sketching along the way. Soon returning to France the artists went into separate studios to finish their works, but the army hurriedly discharged them and they were civilian artists once more. The author conducted research for this book in the World War I army records in the National Archives, as well as the collections of the Smithsonian Institution, and others throughout the country. The sixty-six black-and-white pictures reproduced here are some of the approximately five hundred pieces of official AEF combat art, which shortly after the war were turned over to the Smithsonian Institution, where most of them remain.
LC Classification NumberN6512.C598 1991
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