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About this product
Product Identifiers
PublisherUniversity of Chicago Press
ISBN-100226261638
ISBN-139780226261638
eBay Product ID (ePID)84492331
Product Key Features
Number of Pages208 Pages
LanguageEnglish
Publication NameIdeas in Things : Fugitive Meaning in the Victorian Novel
SubjectCustoms & Traditions, European / English, Irish, Scottish, Welsh
Publication Year2010
TypeTextbook
Subject AreaLiterary Criticism, Social Science
AuthorElaine Freedgood
FormatTrade Paperback
Dimensions
Item Height0.6 in
Item Weight10.2 Oz
Item Length8.4 in
Item Width5.5 in
Additional Product Features
Intended AudienceScholarly & Professional
Dewey Edition22
TitleLeadingThe
IllustratedYes
Dewey Decimal823/.8093553
Table Of ContentAcknowledgments Introduction: Reading Things 1. Souvenirs of Sadism: Mahogany Furniture, Deforestation, and Slavery in Jane Eyre 2. The Vicissitudes of Coziness: Checked Curtains and Global Cotton Markets in Mary Barton 3. Realism, Fetishism, and Genocide: Negro Head Tobacco in and around Great Expectations 4. Toward a History of Literary Underdetermination: Standardizing Meaning in Middlemarch Coda: Victorian Thing Culture and the Way We Read Now Notes Index
SynopsisWhile the Victorian novel famously describes, catalogs, and inundates the reader with things, the protocols for reading it have long enjoined readers not to interpret most of what crowds its pages. The Ideas in Things explores apparently inconsequential objects in popular Victorian texts to make contact with their fugitive meanings. Developing an innovative approach to analyzing nineteenth-century fiction, Elaine Freedgood here reconnects the things readers unwittingly ignore to the stories they tell. Building her case around objects from three well-known Victorian novels--the mahogany furniture in Charlotte Brontë's Jane Eyre , the calico curtains in Elizabeth Gaskell's Mary Barton , and "Negro head" tobacco in Charles Dickens's Great Expectations-- Freedgood argues that these things are connected to histories that the novels barely acknowledge, generating darker meanings outside the novels' symbolic systems. A valuable contribution to the new field of object studies in the humanities, The Ideas in Things pushes readers' thinking about things beyond established concepts of commodity and fetish., While the Victorian novel famously describes, catalogs, and inundates the reader with things, the protocols for reading it have long enjoined readers not to interpret most of what crowds its pages. The Ideas in Things explores apparently inconsequential objects in popular Victorian texts to make contact with their fugitive meanings. Developing an innovative approach to analyzing nineteenth-century fiction, Elaine Freedgood here reconnects the things readers unwittingly ignore to the stories they tell. Building her case around objects from three well-known Victorian novels--the mahogany furniture in Charlotte Bront 's Jane Eyre , the calico curtains in Elizabeth Gaskell's Mary Barton , and "Negro head" tobacco in Charles Dickens's Great Expectations-- Freedgood argues that these things are connected to histories that the novels barely acknowledge, generating darker meanings outside the novels' symbolic systems. A valuable contribution to the new field of object studies in the humanities, The Ideas in Things pushes readers' thinking about things beyond established concepts of commodity and fetish.