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Reviews (2)
Sep 29, 2018
Unashamed to say I LOVE this palette
I made 110% sure I received an authentic Subculture palette and first of all the color of the packaging is beautiful. The whole aesthetic and color story of Subculture is so unique and uncommon to see in eyeshadow palettes these days where nude and warm shades dominate. That’s no shade to those colors. They’re mostly what I wear! But I was longing for something different and more colorful since I don’t have many pops of color in my collection. But not gaudy colors. I love these shades because they’re colorful, but they all have this antique, grungy hue to them if that makes sense and they’re more wearable. The colors of the shadows actually look richer and more pigmented than the hundreds of photos and videos that are out there showing this palette. After watching all the horrible reviews, I knew to not go in rough with the brush. Just one or two light taps in each shadow gets enough pigment on the brush without making a powdery mess on the palette. When you whack the brush after dipping, there is of course fallout but no worse than Modern Renaissance. Mercury is particularly buttery and loose though but nothing that can’t be made workable. The key is to know these colors are touchy before using them and to know COLOR THEORY - at least a basic understanding. Don’t blend purple into yellow or orange into blue and you’ll be fine. The whole reason I got this palette was to make some Fall, pumpkiny looks and boy did it achieve that. My favorite shades are Edge and Electric. Edge is the PERFECT mustard yellow that blends so well over the whole eye and can be blended into New Wave for a beautiful orangey-yellow pumpkin vibe. Pair that with Destiny and Untamed to really complete the Fall look. The only two colors I’m wary of are All Star and Rowdy just because they are super cold, dense purples and have no warmth to them. So that’s why if you blend those with almost any of the other colors which are mostly warm, you’ll get a muddy, grey mess. They clash too much. So if I want a dark burgundy shade that isn’t too cold to use with the oranges, I use Mulberry from Soft Glam. If Subculture included Mulberry instead of All Star it would be a perfect palette in my opinion. Unlike Soft Glam or Modern Renaissance in which you can’t really go wrong with whatever shades you pair together, with Subculture, you need to plan ahead and think about what colors you need to use for the look you want. You might be able to get away with putting two complimentary colors next to each other as long as you don’t blend them together. That’s when the colors start to get muddy. To me, this little caution in using this palette isn’t a drawback, but evidence that ABH really went outside of the box and made a palette that includes such a wide range of colors that you can get multiple COMPLETELY different looks from in just one palette. They include a useful matte nude shade called Dawn to sort of set the whole eye or crease to prepare for the rest of the application and I really appreciate that. From there, you can create a pretty neutral brown or peachy look for everyday wear with the shades Roxy and Fudge and highlight with Cube which has a gorgeous pink shift to it. You can glam that up with Adorn all over the lid and darken the crease with All Star. Now you’ve got a nighttime look. You can do just a yellow-orange sunset look with Dawn, New Wave, Edge, and Roxy. You can do a completely green look which is rare to see with Destiny, Untamed, and Electric. Or a blue look with Axis, Electric, and Rowdy. You see where I’m going here? This palette, contrary to popular opinion, is versatile and cohesive if you know what colors go well together. Performance was great for me but then again I barely pressed my brushes into the shadows. All the shades I tried applied evenly and with no patchiness. Blending was nothing extra hard to accomplish with Subculture. Just with the super dark shadows, use the smallest amount possible at first and then build up if needed. A little goes a long way. It’s also worth getting this palette just for Electric. It’s the most stunning, unique shimmer shade and is a wonderful change from using the typical frosty white for inner corner highlights. It has this green and orange duo chrome shift that I’ve never seen in a shadow before and I was able to apply it easily with a small packing brush without needing to use my finger. My fear is that using my finger too often will seal the shadow like others have had happen to them so for the shimmers, I’m trying to only use the brush. I do use glitter glue for my inner corners to ensure it’s going apply densely and stay all day. In all, I recommend this palette for people who have been using eyeshadow for a long time. It’s not a palette I’d recommend for beginners or someone who just wants to create neutral looks. If you’re craving a different and unique color story for your collection, you’ve found it.
Aug 15, 2017
Best movie on Elizabeth
Cate Blanchett goes above and beyond as the strong queen who must give up so much for the sake of her country. One of the most accurate portrayals of history's notorious English queen in cinema. Elizabeth is nothing but regal and stays close to those are loyal to her. Sir Walsinghan played by Academy Award Winner Geoffrey Rush plays off of Blanchett so well as the cunning and ruthless secretary who is her eyes and ears, known as her "spymaster". The production quality earns an A+ for lavish costume designs, cinematography, sets, and lighting. An absolute beautiful piece of historical drama.